Music Analysis in Theory and Practice

CONTENIDO

PART I
- Introduction
- The History of Theory and Analysis: A Short Survey

PART II: ASPECT OF TONAL ANALYSIS
- Schenker the Theorist
- Schenkerian Analysis
- Development of Schenker: Katz and Salzer
- The Brithis Context: Tovey
- Schoenberg and Musical Logic
- Revision and Reversion: Hindemit, Réti, Meyer
Guidelines for Further Study

PART III: THE ELEMENTS OF ATONALITY
- Introduction
- Harmony and Voice-leading
- Harmony and Symmetry
- Pitch-class Sets
- Motives
- Form and Duration
- The Structure of Atonal Music: Synthesis or Symbiosis?
- Twelve-note Composition
- Coda
Guidelines for Further Study

PART IV: FROM MEANS TO MEANING: ANALYSIS AND THE THEORY OF SINGS

Bibliography
Index